From 1969-72, Manfred Mohr adopted a logical and automatic construction of work, using algorithms to calculate the images. Mohr's consequent thinking is rendered visible through computer programs he wrote. With a choice of different line characteristics, an alphabet of arbitrary generated elements is created. Individual algorithms are invented for each work from which all forms and structures are solely generated. The algorithms are built from imposed as well as from random selection principles termed 'aesthetical-filters'.

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Last edited on 2005.03.14 17:24